Thursday, February 17, 2011
Hell House
Hell House
Hell House
Alex Young
I was impressed by George Ratliff’s ability to film the entire documentary without interjecting his own views or opinions on the audience. From beginning to end, you see what one would see as if they were actually present with the church involved with Hell House. At the end of the film, you have only your opinions about the Hell House, not the documentarians. In each scene, you have the voice of a member from the church, be it the pastor, one of the youth, or just another person. It seemed to me that Ratliff took special care to show the people in their most natural light. He did this by using scenes that made the people look ‘good’. These were scenes such as the interviews, where they spoke about experiences that were very touching and special to them. These were good to help build a personal connection between the people on screen and the viewer. However, Ratliff also includes scenes that make the people look bad. This can be observed in the scene after some kids visit the hell house and express their disagreement in view with those depicted in the attraction. This is a good scene to show that they are not all good, but lets the viewer remember that they aren’t all bad either. It leaves a lot of room for the viewers to formulate their own opinions. Throughout all this, there is no voice over from Ratliff. I think this not only helps keep the film objective, but also brings the reader closer to all of the people being showcased. As a viewer, you feel that you are present in the room when the person on screen is talking. The technique of filming meetings and the processes involved with running the Hell House, as well as the interviews with members of the church, really help to put the viewer on the scene, so you can connect with what’s being shown.
Hell House technique
The flow in the way the documentary is presented from the meetings in the beginning to showing the final product at the end intermixed with interviews from attendees who approved and some who didn't helps the viewer to understand the amout of work the church puts into this to get the point out to the people. The subject matter aside it is an effective documentary, they are not forcing anything upon anyone. It may be a wolf in sheeps clothing and misrepresented to an attendee who was not expecting a lesson in religion while attending a haunted house. The documentary is extreme to the point of upsetting to some people but they definitely show the viewers the message they are trying to portray. DeWayne Peterson
Hell House
Wednesday, February 16, 2011
Hell House
Hell House, a documentary by George Ratliff, is a film about a haunted house put on every year by the Trinity Church. It’s goal is to scare sinners into believing in God for fear of going to Hell. Ratliff uses several techniques which change the dynamic of the documentary. One of the first techniques I noticed was the use of lighting in the first seen as one of the leaders of the church explains how it is the church’s responsibility to scare non-Christians of hell by using the haunted house. As the leader, a Christian, speaks, the background is bright white, and almost looks angelic. Also, at the end of part one, several yound adults talk about what they believe hell to be like. You can immediately tell these were Christians explaining what they thought because of the background and lighting. They are personified in this way as “Godly.” Lighting is also used in this documentary
Another technique in the documentary is the clips of all the people in the community coming together to be a part of Hell House. The people seem very eager and excited about the haunted house, and you can see just how many people attend Hell House. This technique makes the viewer realize the importance of the community. If a new church were to attempt to make a haunted house such as Hell House, I believe their community would be angered or the people of the church even offended. However, perhaps the reason Hell House still exists is the huge community involved with the actually project of the Haunted House. It may make the church feel like they are a part of helping convert non-believers, instead of focusing on the reality of the extremes they are going to get their message across at the risk of offending others.